Michael Mersereau

Michael MersereauMichael MersereauMichael Mersereau

Michael Mersereau

Michael MersereauMichael MersereauMichael Mersereau
  • Home
  • Installation
    • Pavo Real Albino
    • Looking Back
    • Doppelganger
    • Tritych: Epoche
    • Overton(e) Window
    • The Roosevelt Highway
    • MMYR Intuitive Object
    • Chorus
    • Chorus FM
    • Fear Eats the Soul
    • Light Study
  • Video
    • The Night-Mare Project
    • Haxan: Reducida
    • Opacity
    • Confessional
    • Ameri-Paranoia
    • Experiments: Archeology
    • Sound Replacement
    • reverse view
  • Performance
  • Music
  • Info
  • More
    • Home
    • Installation
      • Pavo Real Albino
      • Looking Back
      • Doppelganger
      • Tritych: Epoche
      • Overton(e) Window
      • The Roosevelt Highway
      • MMYR Intuitive Object
      • Chorus
      • Chorus FM
      • Fear Eats the Soul
      • Light Study
    • Video
      • The Night-Mare Project
      • Haxan: Reducida
      • Opacity
      • Confessional
      • Ameri-Paranoia
      • Experiments: Archeology
      • Sound Replacement
      • reverse view
    • Performance
    • Music
    • Info
  • Home
  • Installation
    • Pavo Real Albino
    • Looking Back
    • Doppelganger
    • Tritych: Epoche
    • Overton(e) Window
    • The Roosevelt Highway
    • MMYR Intuitive Object
    • Chorus
    • Chorus FM
    • Fear Eats the Soul
    • Light Study
  • Video
    • The Night-Mare Project
    • Haxan: Reducida
    • Opacity
    • Confessional
    • Ameri-Paranoia
    • Experiments: Archeology
    • Sound Replacement
    • reverse view
  • Performance
  • Music
  • Info

Looking Back on the End of the World

Live Performance at Wassaic Project, Haunted Mill. Guitar, slide projector, mechanical bird. 2023

    How to Walk Through a Door

    “How to Walk Through a Door” is a live performance using guitar, film, and software, controlling frame-by-frame movements of celluloid footage to reconstruct the past while the film continually reverses. The bowed guitar strings correlate with film frames assigned to the velocity and pitch of the guitar. As the sonic sound from thread, wire, and film pulls through the guitar's resonance, the moving image displayed begins to pull forward in time. 

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      Michael Mersereau

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